Q&A: Milck Empowers #MeToo and Answers How Men Can Help

Originally published Jan 26, 2018 Nick Krewen Milck, the 30-year-old Los Angeles-based Atlantic Records signing born Connie Lim, calls the #MeToo movement that’s gone global — and called out many high profile men for their inappropriate and often criminal conduct — “a very carnal way of us manifesting our resistance,” she tells Samaritanmag. She bravely sang about her own experience of sexual abuse and harassment in the ballad “Quiet,” which…


Upstarts: Moscow Apartment

Story by Nick Krewen | March 13, 2018 for SOCAN Words and Music Welcome to the first in a new quarterly series, Upstarts, profiling very young SOCAN members who are making some noise with their original music. First up: Moscow Apartment. Moscow Apartment, the young Toronto duo comprised of 15-year-olds Brighid Fry and Pascale Padilla, has already piled up the accolades in just a year of existence. The Rosedale Heights…


Massey Hall’s Massive Revitalization

Story by Nick Krewen | December 13, 2017 The Grand Old Lady is not only getting a facelift, but a makeover. Massey Hall, originally built in 1894 by Canadian industrialist and philanthropist Hart Massey at a cost of $152,000, is in the midst of a $139 million revitalization that will see the iconic, downtown-Toronto, 2,765-seat music venue shutter for a little over two years, starting July 30, 2018. When it…


Robert Ott: Music Publisher Turned IP Visionary

By Nick Krewen Reprinted/Re-posted with permission from FYIMusicNews.ca In 12 short years, ole has evolved from two desks and a dream to a worldwide reality worth an estimated US $650M – US $800M as reported by Billboard, and counting; from a music publishing start-up to an organization specializing in rights management that has expanded on many fronts and directly employs over 100 people with offices in Los Angeles, Nashville, New…


Commentary: An Open Letter to Lauryn Hill About Her Disrespectful Tardiness

Artists need to treat their audiences with respect. I’m not exactly sure when some of them felt they could abuse the privilege, but it seems that a few so-called superstars have decided that once their fans have paid an exorbitant amount of money for a ticket to see them in concert, then that tacitly gives them carte-blanche permission to dole out the abuse. They keep them waiting. And waiting. And…