PUBLISHED IN THE HAMILTON SPECTATOR ON THURSDAY, NOVEMBER 10, 1995 NICK KREWEN Hamilton Spectator November 10, 1995 The Glare. It’s the first thing you notice about Joe Jackson when you enter the room: his face is expressionless, and his eyes practically protrude from their sockets as they settle on you for the first time. Unsettling? Yes — especially in light of Jackson’s reported wariness of journalists, a career-long…
NICK KREWEN Hamilton Spectator Thursday, July 13, 1995 Somewhere deep inside Matthew Sweet, there’s a young filmmaker just waiting to escape. “It’s something I’m thinking more and more about,” concede the singing and songwriting native of Lincoln, Nebraska over the phone from Los Angeles digs. “I’m thinking of getting involved in making a movie, some way some day. I haven’t really figured out what my place is…
BY NICK KREWEN Hamilton Spectator January 26, 1995 First there was Izzy Stradlin’s Ju Ju Hounds. Then Duff McKagan released his punk ‘n’ roll album, Believe In Me, followed by Gilby Clarke‘s Pawnshop Guitars. Now, add guitarist Saul Hudson — better known to the world as Slash — and drummer Matt Sorum to the list of Guns N’ Roses members past and present who have taken time to pursue…
Where Robbie Robertson Learned To Play At The Feet Of His Mohawk Cousin NICK KREWEN Hamilton Spectator October 6, 1994 TORONTO: As a kid growing up in Toronto, Jamie Robbie Robertson had little interest and awareness in music. That all changed at the age of 11, when Robertson, who would later co-found The Band, started spending his summer vacations visiting relatives at the Six Nations Reserve just…
by NICK KREWEN The Spectator April 7, 1992 After a decade of making music together, Tears For Fears‘ mainman Roland Orzabal decided to shed a Tear of his own — namely partner Curt Smith. As a duo that came to prominence during the latter, electronic stages of new wave music, Tears For Fears classics like “Pale Shelter,” “Shout” and “Everybody Wants To Rule The World” had instant impact,…
