Regions

Matthew Good speaks from the heart

Matthew Good isn’t afraid to wear his heart on his sleeve.   SUPPLIED PHOTO West-coast musician and activist Matthew Good, 38, has a reputation for being outspoken about social problems. With ‘Vancouver,’ his eighth album of original material in 14 years, Good is true to form. Nick Krewen Special to the Star, Tue Oct 06 2009 Matthew Good isn’t afraid to wear his heart on his sleeve. On Vancouver, in stores…


Pearl Jam’s gem

Entertainment / Music Backspacer, the new album out today from Seattle rock icons Pearl Jam, finds the band in a dramatically different headspace.      Nick Krewen Special to the Star, Published on Sun Sep 20 2009  Backspacer, the new album out today from Seattle rock icons Pearl Jam, finds the band in a dramatically different headspace. Oh, the aggressive energy crackling of the speakers from such fist-pumping sonic blasters as “The…


Fredstocks: The Anti Festival

Alt. country singer/songwriter Fred Eaglesmith has quietly pioneered his own underground festival scene GRAMMY.com Nick Krewen Who needs Deadheads when you have Fredheads? With 16 albums and two DVDs to his credit, Canadian alternative country singer/songwriter Fred Eaglesmith has built a particularly devoted following in North America, Australia and the Netherlands. And while his notoriety and album sales may not rival that of a Bruce Springsteen or a Bob Dylan,…


Music That Puts You To Sleep

Music That Puts You To Sleep July 20, 2006 For “therapeutic” music, boring’s a good thing GRAMMY.com Nick Krewen If David Bradstreet isn’t lulling you to sleep with his music, he isn’t doing his job. According to the National Heart, Lung and Blood Institute, more than 70 million Americans suffer from sleep disorders ranging from sleep apnea to hypertension. Bradstreet, a Toronto-based, Juno award-winning folk singer, instrumentalist and composer, is…


Remembering Shel

  Nick Krewen GRAMMY.com Nov/Dec 2005 Legacy Recordings’ reputation for mining its vaults and producing superb compilations received another boost this past summer with the release of such acclaimed packages as Johnny Cash‘s 4-CD box set The Legend, Miles Davis‘ quintuple-disc The Complete Jack Johnson Sessions and Bob Dylan‘s Martin Scorsese-driven No Direction Home. One watershed anthology, however, got lost in the shuffle: the best of Shel Silverstein – his…