Artist Spotlight

Portrait of The Artist (Prince) As A Newly Free Man

Versions of this article for Southam News appeared in several Southam newspapers including The Windsor Star on November 20, 1996 PORTRAIT OF THE ARTIST AS A NEWLY FREE MAN   NICK KREWEN CHANHASSEN, Minnesota. The Artist Formerly Known As Prince  knows how to make a lasting impression. As the door to the conference room in his palatial Paisley Park Studios swings open, the man whose legal name is the unpronounceable…


Burning For Buddy

Neil Peart launches solo album tribute to iconic drummer Buddy Rich NICK KREWEN The Hamilton Spectator October 20, 1996 Neil Peart admits he’s been in no rush to release a solo album. One of Canada’s foremost drummers and lyricists who has built his worldwide reputation exclusively with Canadian power rock trio Rush over 22 years and almost as many million-selling albums, Peart launched the band’s first outside project earlier this…


Cracker: Misunderstood?

PUBLISHED IN THE HAMILTON SPECTATOR ON THURSDAY, APRIL 11, 1996 to advance shows at Toronto’s Opera House (April 14) and Kitchener’s Volcano (April 15)   BY NICK KREWEN   Is David Lowery the most misunderstood writer in American pop? He thinks it’s possible. “I’ve developed a little bit of a reputation for being a very cynical, sarcastic person,” says the lead singer for Cracker, his deep baritone resonating over the…


The Burdens of Being Tracy Bonham

PUBLISHED IN THE HAMILTON SPECTATOR ON Thursday, March 28 1996 to promote a Tracy Bonham performance at Toronto’s Horseshoe Tavern   THE BURDENS OF BEING TRACY BONHAM   NICK KREWEN The Hamilton Spectator March 28, 1996 Tracy Bonham is standing inside a phone booth somewhere in the Southwestern United States, talking about her first album, The Burdens Of Being Upright, and thankful that she didn’t opt for a career in…


Iggy Pop – Taming the bark of Naughty Little Doggie

NICK KREWEN Hamilton Spectator March 14, 1996     At one time, Iggy Pop was rock ‘n roll’s quintessential angry young man. It was a common sight at his concerts to watch Pop flail about on stage, throwing on-stage tantrums, lacerating himself with glass and lashing out at the audience. A punk prototype whose behavior later set the stage for the antics of The Sex Pistols and Richard Hell &…