Rock

‘Unknown band’ is opening for Cher in Toronto — but their leader is not worried

Nick Krewen Special to the Star April 18, 2019 Nile Rodgers is discovering during the Cher opening slot that Chic’s relative anonymity is working to his advantage. “We’re an unknown band opening for a big star,” he says over the line from New York. “We walk out onstage — most people don’t know who we are — but by the end of the show they go, ‘Jesus Christ, I know…


Pink Floyd’s Nick Mason delighted by his ‘sort of throwback’ band bound for Toronto

Nick Krewen Special to the Star April 12, 2019 Waiting for that Pink Floyd 55th anniversary reunion? Don’t hold your breath – founding drummer and percussionist Nick Mason isn’t. “There doesn’t seem to be any plan at the moment to put anything together,” Mason, 75, admits, referring to fellow Floyd members Roger Waters and David Gilmour. “Part of that is the reason for putting together the Saucerful of Secrets project. I…


PledgeMusic troubles hit Canadian musicians like Dayna Manning and Amanda Rheaume

Nick Krewen Special to the Star Thursday, March 28, 2019 After singing the PledgeMusic blues, independent recording artist Dayna Manning is breathing a sigh of relief. Like too many other artists — L7, Fastball and Jesus Jones, to name a few — Manning is owed money donated by fans via the nine-year-old U.K. crowdfunding platform, which has all but suspended operations due to financial woes. Delayed payments dating back to…


What is it with music and clowns?

Puddles Pity Party and Mac Sabbath brought very different musical clown acts to Toronto, suggesting the modern fear of clowns might be exaggerated Nick Krewen NOW Magazine, Nov 20, 2018 PUDDLES PITY PARTY at Queen Elizabeth Theatre, November 8. Rating: NNNN MAC SABBATH at Lee’s Palace, Thursday, November 15. Rating: NNN Our music scene delivers new trends all the time, but over the past few weeks Toronto has played host to a…


Matt Mays – Seeing Double

October 25, 2018 Nick Krewen   Saturday night and Sunday morning. That’s how Matt Mays describes the difference between his albums Once Upon A Hell Of A Time and the just-released Twice Upon a Hell of a Time: the former, an energetic, electric offering and the latter, its mellower acoustic twin. “I thought these songs should have been a bit more torn-down,” says Mays of his motive behind making Twice….