Story by Nick Krewen | December 16, 2014 For SOCAN’s Words & Music. Welcome to Entrepreneurs, a new series in Words + Music. As the music industry undergoes disruptive technological shifts and constant change, the role of the entrepreneur has become one of its main driving engines. Canadian music entrepreneurs invest in and nurture the careers of our music creators – a feat that, now more than ever, requires courage,…
Jill will showcase material from Fool’s Gold, while Matthew has new album Big Romance Nick Krewen Music, Published on Fri Nov 14 2014 Jill Barber has been waiting for this. When the 34-year-old singer and songwriter takes to the Massey Hall stage on Saturday night as headliner, it will be the crowning achievement thus far of a career that has taken the Port Credit native through numerous styles, seven…
Toronto duo largely responsible for lifting the veil off “the most sought after and mysterious recordings from the post-nuclear, pre-digital era.” Nick Krewen Music, Published on Wed Nov 05 2014 Sitting at Johnny Rockets, a ’50s-style burger joint in Yonge-Dundas Square, my dining companion pulls out a cardboard envelope and hands it over. “Open it up and have a look. Have a little whiff,” he insists. Inside is a…
Oh Susanna’s Suzie Ungerleider had to delay her Namedropper album — with contributions from Ron Sexsmith, Joel Plaskett, Melissa McClelland and others — for treatment, but she finally debuts it in concert on Saturday. Nick Krewen Music, Published on Thu Oct 23 2014 When Oh Susanna performs Saturday night at the Great Hall, Suzie Ungerleider will be celebrating not only a sparkling new album called Namedropper, but successful treatment for…
Southworth’s latest theme album is a double disc, with an “American” and “Canadian” side. He plays Toronto’s Music Gallery on Sunday. Nick Krewen Music, Published on Sat Oct 11 2014 For his latest album Niagara, technically constructed as a double album with a nine-song “Canadian” disc and an 11-song “American” disc, John Southworth has specific instructions as to how it should be heard. “It’s not meant to be listened to…
