THE RETURN OF REDNECK COUNTRY Nick Krewen GRAMMY.com August 2004 Country music is getting rowdy again. As newcomers Gretchen Wilson and Big & Rich suddenly race up the charts with attitude-brandishing anthems like “Redneck Woman” and “Save A Horse (Ride A Cowboy)” and outspoken veterans Toby Keith and Montgomery Gentry watch their fan base increase by leaps and bounds, country audiences have returned to embracing the genre’s ornery streak….
Fan Fair Nick Krewen GRAMMY.COM Farewell Fan Fair. When it wound down June 8 with a rare reunion of The Judds, the door closed on a 32-year tradition. Upon its return in 2004, the annual Nashville country music festival – which encourages fans to mingle with its stars – will be sporting a different name: the CMA (Country Music Association) Music Festival. More troubling to hardcore country music fans,…
NICK KREWEN Hamilton Spectator Thursday, August 18, 1994 Dance Naked, John Mellencamp‘s latest album that contains his hit remake of Van Morrison‘s ‘Wild Night’, didn’t only surprise the public — it also shocked his co-producer. Mike Wanchic, guitarist and co-producer in the Indiana singer and composer’s band since 1978, said he was astonished he received a phone call from his boss to head back into the studio within months of…
Nick Krewen For The KW Record September 21, 1999 It’s an ode with an oud. The Tea Party has accumulated an interesting collection of exotic instruments over the years, but singer, songwriter and guitarist Jeff Martin admits that their latest addition came out of the blue. A four-stringed instrument called the oud makes its debut on “Samsara,” a cut from the Windsor trio’s latest album Triptych. According to Martin,…
Nick Krewen For The KW Record May 20, 1999 The clock is ticking for The Tea Party. Jeff Martin warns that the fat lady could be singing for his Windsor-born trio sooner than later. “Every record we do is getting closer to our vision,” said Martin last week, in Toronto to master his band’s latest opus Triptych, due in stores June 15. “But once we get there…
