Canada

Drake’s OVO Fest brings Nicki Minaj and Snoop to town

Entertainment / Music Toronto’s Aubrey “Drake” Graham gets hometown hero’s welcome at Molson Amphitheatre Nick Krewen Special to the Star Published on Mon Aug 06 2012 The one question on everyone’s minds as the lights went down for rapper Drake’s main set of his third annual OVO Fest was how was he going to top himself this time? For the first hometown celebration of October’s Very Own, christened for the…


Havoc over, Alanis Morissette sees the bright lights

Havoc over, Alanis Morissette sees the bright lights Motherhood and romantic stability put a happy spin on Alanis Morissette’s new album, Havoc and Bright Lights. Alanis Morissette reflects on a tarnished brass ring: “I saw that fame could support me as a tool to support my agenda, my agenda of uplifting, and comforting, and titillating — just engaging in conversations that I’m so passionate about. . . . I need…


The Monks’ Bad Habits hard to break

An anomalous punk hit in Canada gets a loving tribute at the Horseshoe. By: Nick Krewen Special to the Star, Published on Wed Jul 25 2012 “Nice legs, shame about her face.” If you’re old enough to remember those lyrics, you’ll recall that circa 1979-1980 there was a band named The Monks that owned Canadian Top 40 radio for a spell with the novel ditty “Drugs In My Pocket.” The…


Taking The Reins

Story by Nick Krewen | June 28, 2012 For SOCAN Words And Music.   Control. It’s a treasured commodity, the ability to call your own shots, and when you consider it in the context of a recording artist in the music business, as rare as liquid plutonium. But with its fifth album Synthetica, Toronto’s Metric have achieved the unthinkable: Singer and synthesizer player Emily Haines and guitarist and multi-instrumentalist Jimmy…


Sarah McLachlan with the Toronto Symphony Orchestra: review

Nick Krewen reviews the show as Sarah McLachlan kicks off her 13-date Symphony Tour Friday night at the Molson Amphitheatre in Toronto. Nick Krewen Special to the Star Published on Sat Jun 23 2012 Whenever you play with an orchestra, it’s good to remember that there are strings attached. It was a notion that seemed lost for the first half of Sarah McLachlan’s hit-and-miss two-hour concert with the Toronto Symphony…