New touring circuits, more cash and ego spark musical reunion craze.
Music, Published on Thu Nov 20 2014
With the imminent return to Toronto of acts like Moist and The Tea Party after lengthy hiatuses, reunion fever is running high.
While it isn’t necessarily a new trend, many domestic and international acts are mending fences in 2014 and flaunting new leases on life.
Whether it’s the recent return of Christine McVie to the Fleetwood Mac fold, Queen resurfacing with Adam Lambert or the Spandau Ballet reunion that hits Toronto in February, there are common denominators explaining a band’s decision to get back together, including new touring circuits and better cash for bookings, says veteran music industry observer Larry LeBlanc.
“Nowadays the casino business is a huge business and it loves the heritage acts,” says LeBlanc, a senior CelebrityAccess writer. “In some cases, those groups end up making more money today than they made back then. At the same time, the money being paid today is astronomical from what it was.”
But LeBlanc says the motivating factor to reunite may be a simpler one: ego.
“It all goes back to nobody wants to go work in a hardware store,” he laughs. “I’m serious. Once you’ve been in the spotlight, and the spotlight may get smaller and smaller, but to be removed from it is very unnerving.”
Homegrown acts Moist and The Tea Party are returning after absences of 13 and seven years, respectively, and with new albums.
For Moist, which performs at the Danforth Music Hall Saturday night on the heels of its new Glory Under Dangerous Skies, the reconsolidation came following a get-together for drinks in 2013.
“I started do to solo projects and I got drawn away by all sorts of different things,” singer David Usher, who has released seven solo albums, said Tuesday. “Everyone else did too, which in my mind is a very natural thing. You want to try new things as an artist at a certain point.
“But we’ve remained friends. Kevin (Young, Moist’s original keyboardist) plays in my band, and then every year we’re having a drink and it always comes up that we should play a show. Last summer was the first time when everyone said, ‘Yeah, let’s play a show.’ Then that turned into six shows over Christmas.”
Those six shows featured original members Usher, Young, guitarist Mark Makoway and bassist Jeff Pearce, along with newer members Francis Fillion on drums and second guitarist Jonathan Gallivan. Pearce has since dropped out and been replaced by bassist Louis Lalancette.
According to Usher, whose band burst onto the Canadian scene with the driving hit “Push” and the bestselling album Silver, the concerts and favourable fan reaction sparked the desire to reconvene for recording and touring, which demanded more of a commitment than Pearce was willing to give.
“It was kind of an unspoken thing that we just naturally wanted to get back into the studio and write together again,” says Usher. “After the Christmas show, we did four days of writing in Montreal and the songs were coming so quickly that we really felt that we were coming into a record cycle. When we started talking about going back on the road, that was more than Jeff was really up for. He’s got a young family. He still remembers that this band tends to take over your life.”
Windsor’s Tea Party, performing at the Kool Haus on Nov. 27, reunited in 2012 with original members Jeff Martin, Jeff Burrows and Stuart Chatman, and has already issued a live album of its Australian tour.
They spent the better part of 2014 in Australia — nowadays singer, guitarist and songwriter Martin calls Perth home — and Toronto’s Revolution Studios recording The Ocean at the End, their first studio album since 2004’s Seven Circles.
Speaking on the phone en route to a Halifax gig, Martin said the band members entered their hiatus acrimoniously, but missing friendships and the urge to create paved the way for their reunion.
Their motivation to reconnect was “the fact that we couldn’t stand to be away from each other anymore or the music that we’ve made or the music that we could make once again,” says Martin.
“I think that the three of us as individuals did a lot of maturing and soul-searching during our seven-year hiatus. At the end, we really couldn’t have been further apart. It just didn’t feel like the band anymore. It was too many cooks in the kitchen and I wanted that Tea Party back that was of the era of Edges of Twilight/Transmission where we were just firing on all cylinders, when I was the captain of the ship and that was it.
“It took awhile for us to come back to something like that, but we certainly have it now. It’s great.”
Martin says that unlike many bands, economics weren’t a factor in the Tea Party reunion.
“It’s the work ethic, the love of making the type of music we can make,” Martin explains. “The Tea Party is a pretty successful band; we don’t need the money. We’re not doing this for anything else except for art. We did the record on our own terms, made the record we wanted to make and now the three of us are just having a blast.”