Jazz

The steel pan is more than a vacation sound to Joy Lapps — it’s about the joy of self-expression

Lapps is one of the few women to specialize in steel pan or steel drum. She will share her passion with the Toronto Jazz Festival. By Nick Krewen Special to the Star Quiz time: what sunny-sounding percussive instrument that invokes the sound of the Caribbean is forged from a 55-gallon industrial drum? The answer: the chromatically pitched steel pan, which is front and centre of Joy Lapps‘ first full-length album of…


Why the Juno Awards matter to artists: Just ask William Prince, Caity Gyorgy or Loud Luxury

Being nominated, winning or just being on the televised awards show can have tangible benefits, but even off-camera moments can have an impact. By Nick Krewen Special to the Star Have you ever wondered about the impact of being nominated for – or winning – a Juno Award has on an artist’s career? Well, wonder no more: it turns out it can be quite substantial. For example, when Caity Gyorgy…


Christian McBride and Joe Sealy double bill mixes Black history with the music.

McBride’s The Movement Revisited and Sealy’s Africville Stories about destroyed Black Canadian community will be part of Meridian Hall double bill. By Nick Krewen  Special to the Star Four powerfully influential U.S. figures and one Canadian tragedy. That’s what’s in store for appreciators of Black History Month when a potent jazz double bill of Christian McBride and Joe Sealy takes to the Meridian Hall Stage on February 17.  For the…


This Toronto musician’s carefree wandering through the ’60s saw him working with Janis Joplin and Linda Ronstadt – and that’s only part of his story

Nick Krewen Special to the Star You may know him as the artistic director of the currently paused Beaches International Jazz Festival or hear him on one of the three radio programs he either hosts or co-hosts in the city. But did you know that Toronto’s Bill King, a three-time Juno Award nominee, also served as music director for blues-rock singer Janis Joplin, the stylistically versatile Linda Ronstadt, The Pointer…


Before she went to New York and became famous, Joni Mitchell played the Half Beat in Yorkville

     Nick Krewen Special to the Star John McHugh remembers the time he accidentally became Joni Mitchell’s matchmaker. McHugh, who owned the Yorkville-era clubs The Penny Farthing and The Half Beat back in the ‘60s, recalls meeting “Joanna Anderson” when she came around to one of his venues around 1963-64. “It was at the Penny Farthing that (singer) Cathy Young brought this young lady in with her,” McHugh recalled recently…