PUBLISHED IN THE KITCHENER-WATERLOO RECORD ( AND THE HAMILTON SPECTATOR) on January 25, 1997 By Nick Krewen Nash The Slash is the ultimate Canadian cover artist. Whenever he’s performed in public, the Toronto-based electronic musician has been an intriguing sight, dressed in a top hat, sunglasses and swathed head to toe in bandages. Now celebrating his 20th year in the public eye, this chic version of The Invisible Singing…
Sparks talks Gratuitous Sax and Senseless Violins NICK KREWEN Hamilton Spectator March 30, 1995 Credited as the inspiration for British electronic dance pop combos Depeche Mode, Erasure and Pet Shop Boys, Sparks is a modern music anomaly: a California duo that is revered in Europe, but ignored in their own backyard. With the release tomorrow of their 16 th album, Gratuitous Sax And Senseless Violins, Sparks linchpins Ron and…
AS PUBLISHED IN THE HAMILTON SPECTATOR MAY 9, 1990 Nick Krewen Hamilton Spectator May 9, 1990 Five years ago, British recording duo Tears For Fears ruled the world with their blockbuster album, Songs From The Big Chair. The album sold 9 million copies around the world, and TFF ruled the airwaves with their anthemic hits “Shout” and “Everybody Wants To Rule The World.” And even though at…
NICK KREWEN Special To The Spectator May 26, 1998 TORONTO — It’s a case of “History Repeating” for Alex Gifford, but success is sweeter the second time around. The last time Gifford was in Toronto, he was a teenager playing sax for British punk rockers The Stranglers, a position he held from 1984 until lead singer Hugh Cornwell announced his departure in 1990. Now he’s back on a promo…
