Composer found music even in the frigid waters of the Arctic Sea. Nick Krewen Special to the Star, Mon Oct 25 2010 Over 80 albums and 32 years, revered Japanese cultural icon Ryuichi Sakamoto — who made a rare Toronto concert appearance Sunday at the Queen Elizabeth Centre — has dabbled in a lot of genres. Since he graduated from his electronic music studies at Tokyo’s University of Art, Sakamoto,…
Electronic Music Foundation Nick Krewen GRAMMY.com Sept 2002 Pierre Schaeffer, Luc Ferrari and Iannis Xenakis aren’t exactly household names in the world of commercial popular music, and the services the Electronic Music Foundation provides is unlikely to offer them any change in stature. But they’re superstars in the world of avant-garde electronic compositions, and if you’re seeking out historical information or looking to hear and buy CDs of their…
A VERSION OF THIS APPEARED IN THE KW RECORD NOVEMBER 23, 1999 By Nick Krewen Jim Johnston may not be a household name, but he’s ready to rumble. Last week, he bodyslammed Mariah Carey‘s Rainbow to the mat and placed Foo Fighters‘ There’s Nothing Left To Lose in a Tongan Death Grip. He drop-kicked Counting Crows‘ This Desert Life out of the ring and bulldogged Choclair‘s Ice Cold…
Far from the madding crowds, sound hunters search the wilderness for an elusive ingredient for their recordings — absolute silence Nick Krewen The Ottawa Citizen Sunday, July 25, 1999 It’s another long, sweltering day in the tropical rainforest, and Kevin O’ Leary is on safari. With an assistant who doubles as photographer at his side, and more than 30 kgs of gear each strapped to their backs, they…
AS PUBLISHED IN KNIX MAGAZINE, PHOENIX, ARIZONA, MARCH 1998 By Nick Krewen The lights dim. The crowd erupts in screams and whistles. And from somewhere within the bowels of a small, sweltering hockey arena in Northern Ontario, concealed by the twilight of promise, hope and anticipation, a sweetly familiar voice asks a big sultry question: “Are you ready for me, Sudbury?” The crowd is confused at first, as…
