Paul McCartney delivers marathon concert at the Air Canada Centre

Paul McCartney delivers marathon concert at the Air Canada Centre

At 73 years old, the Beatles co-founder delivered a set that would leave younger musicians reaching for their water bottles.

Nick Krewen

Music, Published on Sun Oct 18 2015

 

Paul McCartney, 73, churned out an impressive 41 songs during a three-hour marathon at the Air Canada Centre on Saturday night, with nary a water bottle in sight.

To put this in perspective, most artists play between 18 and 25 songs over an evening concert. Sometimes, for extra-lengthy shows, the number may reach 32 to 34. And these artists often take sips from nearby water bottles, understandably, while performing under hot spotlights.

The co-founder of the Beatles, the most influential group in pop history, needed no refreshments, even after a fireball-laden rendition of the James Bond theme “Live And Let Die,” where there was so much pyrotechnic mayhem during the instrumental chaos that even the audience could easily feel the heat.

Actually, if anything, McCartney — backed by a stellar band that included guitarist Rusty Anderson, guitarist/bass player Brian Ray, keyboardist Paul “Wix” Wickens and the spectacular Abe Laboriel Jr. on drums — seemed more invigorated as the show progressed.

In a much chattier mood than the last time he was in Toronto, a jovial McCartney told a few interesting and amusing tales between numbers, joking around with the estimated 18,000 in attendance.

Playing his signature Hohner bass and launching with the Beatles classic “Eight Days A Week,” McCartney offered a fine selection of hits from both the Fab Four and the Wings as well as some obscurities and songs from his latest album, the aptly-named New.

Along with the expected favourites like “The Long And Winding Road,” “Lady Madonna” and “Let It Be” — each adhering to the original arrangements loved and cherished by so many — came a few surprises: “Let Me Roll It,” (which included an instrumental coda of Jimi Hendrix’s “Foxy Lady”) and “Nineteen Hundred and Eighty Five” from the Wings’ watershed Band On The Run, “One After 909,” “Another Girl” and “Helter Skelter” from the Beatles, and he dusted off “Mull of Kintyre” for all the Scots in the house complete with pipes and drums from the Paris-Port Dover pipe band.

If that wasn’t enough, McCartney, who still sings gloriously and is as adept on guitar and piano as he is on bass, performed the first half of George Harrison’s “Something” on a ukulele in tribute to his fallen comrade. He also paid tribute to John Lennon during “Here Today” (after a poignant version of “Blackbird”), calling the number written after Lennon’s assassination “the conversation I wished we had.”

And to show he’s still fresh and vital creatively, McCartney performed his recent Rihanna-Kanye West collaboration “FourFiveSeconds.”
“Here’s a song I wrote with Kanye West,” he announced, adding the slightly sarcastic quip, “That was fun.”

The highlights were many: the tender “My Valentine” he dedicated to his wife Nancy; “Maybe I’m Amazed,” dedicated to his late first wife Linda; the rocking party atmospheres of “Ob La Di, Ob La Da” and “Back In the U.S.S.R,” and even a false start on the newer “Temporary Secretary” were rendered with McCartney charm and precision.

By the time one of the most influential architects of pop music performed the sing-a-long “Hey Jude,” the concert had become an unabashed love-in between performer and audience.

In a week where Toronto is being spoiled by appearances by the two surviving Beatles — Ringo Starr is at Massey Hall on Tuesday — it is McCartney, concluding his show with the words “see you next time,” who will be the one to produce a concert five years from now as potent and as powerful as the spectacle just witnessed.

Nobody else can keep up with him.

 

Paul McCartney delivers marathon concert at the Air Canada Centre | Toronto Star

The Weeknd proves he’s Toronto’s next superstar: concert review

R&B crooner Abel Tesfaye, aka the Weeknd, treated crowd at Mod Club to a sort of preview of new album Beauty Behind the Madness.

Nick Krewen

Music, Published on Wed Aug 26 2015

The Weeknd
At the Mod Club, Aug. 25

He’s earned it all right.

The climatic moment in the Weeknd’s recent video for his chart-topping hit “Can’t Feel My Face” occurs when the singer is set on fire by an audience member while performing. He finishes the song “Human Torch” style, his skin unblemished as the flames engulf him.

The metaphor expressed in the video applied to the hottest ticket in town on Tuesday night, when alt R&B crooner Abel Tesfaye, a.k.a. the Weeknd, treated a capacity crowd at the Mod Club to a preview of sorts of his new album out Friday, Beauty Behind the Madness.

With a crowd of 620 onlookers that included artists Francesco Yates and Kardinal Offishall, new Bell Media entertainment production president Randy Lennox and his Universal Music Canada replacement Jeffrey Remedios, several hundred Virgin Radio contest winners and those lucky enough to grab $9.99 tickets, Tesfaye and his three-piece band zigzagged from past to present during an exuberant hour-long set that signaled the arrival of Canada’s — nay, Toronto’s — next international superstar.

Yeah, you could argue that the Weeknd, who will kick off his world tour with a Nov. 3 Air Canada Centre date (tickets are on sale Friday), has already reached that pinnacle — especially since he owns two of the five top-selling songs on Billboard this week — but one got the feeling with this concert that Tesfaye is only beginning to come into his own.

Starting with “Losers,” an aggressive new up-tempo Beauty track, the man with the gravity-defying hair and equally buoyant falsetto bounced around the stage like he had something to prove, and spun through a quick succession of three more soon-to-be-R&B classics — “Tell Your Friends,” “Acquainted” and “In the Morning” — before he returned, as he put it, “to 2011” for House of Balloons’ “High for This.”

At that point, the show became more of a communal event, with the crowd serenading Tesfaye with the lyrics from “Often” and “Glass Table Girls” as he echoed their words.

The crowd lost it when he briefly detoured with Drake’s “Crew Love” (which he initially contributed vocals to) and sang along intensely to his hit ballad

“Earned It” from the film Fifty Shades of Grey, Tesfaye’s impressive falsetto effortlessly gliding into stratospheric octaves.

The funky “Can’t Feel My Face” got the whole joint jumping to the point you could feel the floor move under your feet, and Tesfaye cajoled the audience to “go motherf—ing crazy” for “The Hills,” before returning for an acoustic-driven, slightly accelerated version of “Wicked Games” to close out the set.

In a club that hosted the Weeknd’s very first gig and one he keeps coming back to, it was an evening his fans won’t soon forget.

The Weeknd proves he’s Toronto’s next superstar: concert review | Toronto Star